Temporal Wall (1964, 1971, 1973, 1975–77, 1981, 1987)
Jockey II (1973, MSU in Zagreb)
Leisure (1974–75, 1980, 1988)
Abode (1973, 1976, 1979–1981, 1988, 1993)
Swimming Pools (1977–78)
“A grid of ‘temporal walls’ is drawn across the painting, whilst the panoramic scene evokes the totality of mystic impression. Life in the interspace offers a full impression, a fascination with endless possibilities and the interpretation of space in the depth of the world. The specific rhythm, exchange of shapes and contours does not amount to endless repetition, because the secrets have”, as Nikola Šop remarks, “abolished the tragic divides between the spiritual and the physical, mortal and supernatural, timeless and timeful.”
— Andriana Škunca
